
I'm Not My Yesterday
Howard Gripp
A new single shaped around leaving the former self behind and stepping forward in faith.

Howard Gripp
A new single shaped around leaving the former self behind and stepping forward in faith.

The Rock Music
Not Alone reveals the mission and purpose of The Rock Church, the suburban Salt Lake City home of The Rock Music.

Natalie Layne
Natalie Layne returns with a new EP centered on persistence, grace, and the choice to keep drawing near.
Songs about size. Five records that point upward without mistaking volume for scale.
O sing unto the Lord a new song: sing unto the Lord, all the earth.

A seven-year wait between albums did not end Piesie Esther’s calling. Two decades later, ‘Wayɛ Me Yie’ became both a national breakthrough and the clearest summary of her testimony.

Before faith became the center of his music, Lecrae resisted Scripture, searched elsewhere for certainty and discovered that conversion rarely follows a straight line.

“Holy Forever” travels because the voice singing it has nothing to prove.

“God I'm Just Grateful” asks for nothing, which turns out to be the hard version.

The audience shifted first. The catalogue is catching up.

An editorial selection, not a chart. Fifteen records currently holding our attention.

SEU Worship featuring Chelsea Plank
A live worship performance centered on the enduring hope and saving power of the blood of Jesus.
Before faith became the center of his music, Lecrae resisted Scripture, searched elsewhere for certainty and discovered that conversion rarely follows a straight line.
Some worship songs ask for something. Others arrive after the asking is over.
ELEVATION RHYTHM and Gracie Binion write a break-up song addressed to a former self.

The format that fits playlists least is the one doing the most interesting work.

Short songs. Modern production. Internet-native culture. Ancient subject matter.

Psalms are showing up in the title field again — and not as decoration.

The category was never a sound. It was a distribution channel.
“Come Jesus Come” holds one request so steadily that restraint becomes the drama.
CeCe Winans lets the lyric carry the weight and keeps the arrangement disciplined.
“Hard Fought Hallelujah” earns its lift by refusing easy triumph.
“YOUR WAY'S BETTER” is quick, warm and sharper than its casual surface suggests.
Forrest Frank builds a morning song from texture, repetition and a very small drum kit.
The live recording treats repetition as discovery, not padding.

The 41st Stellar Gospel Music Awards put a broad Gospel field on one Charlotte stage — from established Motown Gospel names to independent releases.

Nine nominations for Wickham, seven for Winans, and a New Artist field that shows how quickly Christian music's center is shifting.

The Museum of Christian & Gospel Music, Gaither Music and the GMA built a shared fan experience around catalog, performance and discovery.
The GMA and Recording Academy expanded the March campaign across streaming services, radio, tours and a new run of performance videos.
Every submission is read by the music desk. Coverage is never paid for, and label size doesn't move you up the queue.
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